Tuesday, July 16, 2013

On the road

"Rocky Road" is traveling. My digital photo combine is part of the State of Illinois Chicago Gallery's group show, "Fragile Relations: Art + Nature + Environment," which is now at the state's Lockport Gallery. The show reflects how artists interact with, think about, use and are inspired to create by the aspects of our environment.

Fragile Relations highlights the work of fourteen Illinois artists who are inspired by nature and the environment and show diverse ways of perceiving and experiencing the world.  Further, through their work these artists delve into both the internal—or personal—and the external—or shared—environments.  Through a process of reclaiming, Mary Ellen Croteau, Carole Komarek, Michele Stutt, and Toby Zallman transform discarded materials into beautiful works of art.  Denise Bellezzo, Barbara Cooper, and Donna Hapac incorporate natural materials into work that reflect the balances, transformations, and humor in nature. Photographers Xavier Nuez, Jeff Crisman, Jean Sousa, Nora Lloyd, Marjorie David, and Mayra Pimentel explore the world around us—large and small, real and imaginary—revealing the junctures between humans and nature.  Alex Lopez’s mixed media video installations invite the audience to experience an environment that is both beautiful and slightly disturbing.  The exhibit is organized by Jane Stevens, Associate Curator/Gallery Administrator, Illinois State Museum Chicago Gallery. The exhibition runs from May 28 - October 25, 2013. 



Address
201 West 10th Street
Lockport, IL 60441
Hours
Monday - Friday 9:00 AM - 5:00 PM, Sundays, Noon - 5:00 PM. Closed Saturdays and state holidays. Galleries closed during exhibit changes.
Contact Information
Telephone: 815-838-7400
FAX: 815-838-7448
Email: jlustig@museum.state.il.us
Parking/Accessibility
Free Parking is available adjacent to the gallery. The Gallery is fully handicapped accessible.
Directions
Located 35 miles southwest of the Chicago Loop, one block from the crossroads of IL Routes 7 and 171 in historic downtown Lockport
Location on MapQuest.

Sunday, November 20, 2011

Stranger danger, part two


On a bus headed south on State Street, early afternoon. At 9th Street, two young women (early 30s) get on the bus. Suddenly the dark-haired woman is talking very loudly and aggressively. “Well, I didn’t know. I don’t have my star with me. OK, so I’ll know for next time.”  The driver's apparently insisting on payment because the woman’s voice grows louder and more belligerent. She has only a wallet and keys in her hands. Now she’s throwing out bits of her cred. Sometimes she drives a CTA radio car, she says. She’s “been on the job 10 years and she's never heard of this” (she’s not in uniform, how is the driver supposed to know she’s legitimate? “On the job” equals free ride?) The driver points to a notice on the bus dashboard. Oh. Woman’s voice rises. Driver asks her for second time to lower her voice. The woman’s friend says: “We’ll remember this next time we get a CTA call.” A young man with a baby walks to front of bus saying he needs to get going. Can he pay? Dark-haired woman says no, driver says yes. Woman in front of me makes a phone call, calls out to the dark-haired woman that she’s got the police on the line. Angry woman takes the phone and outlines the disagreement and asks for a supervisor to come to the scene. Driver’s not going anywhere now. Young man and baby get off the bus along with a handful of other people. Among the passengers around me, sentiment favors the loud-mouthed woman over the driver.

I’m thinking the young woman is unprofessional, way too entitled and oddly volatile. I wouldn’t want to encounter her “on the job.”  She’s pacing the aisle, her eyes tearing apart the air inside the bus. That makes me decide to get off. I look at her face as I walk past her. Her eyes are darting, reddened. She does not look at me. I feel safer getting off the bus and walking home. 

Violence at the symphony


Stranger danger: When a violent altercation erupts in the midst of a Chicago Symphony Orchestra concert, I wonder what’s happening to us, what’s happening to civility.  Are the financial, real estate, political meltdowns of the past three years affecting our ability to co-exist peacefully and respectfully?

Tuesday night at the Chicago Symphony Orchestra, middle of Row K on the main floor for a program that begins with the Suite from “The Love for Three Oranges, Op.33a” by Prokofiev. The music is wonderfully tumultuous, athletic, challenging to musicians and audience. Melody lines are tossed about the sections of the orchestra. With a full complement of musicians, the suite fills the auditorium with a riot of sound ­– dissonance, atonality and confounding contradictions and splendid melodies. Suddenly an older woman four seats to my left leaps to her feet and begins hitting the young man to her left with her program. Then she sits down and calmly and deliberately presses flat the pages of her program.

Stunning, distracting, mystifying. These were strangers. They had come in at different times, from different directions. As the lights dimmed following intermission, the four seats in the middle of Row K sat empty.  One patron said afterwards, “strangers don’t behave like that.” But they did.

Sunday, October 30, 2011

Tugging at the community fabric



At the corner of commerce and human emotions, South State Street and East Roosevelt Road, a Walgreens store. I joined a long line of patrons patiently waiting to check out at the counter served by one clerk with my one bottle of Calcium 600+ D. I stood where the line broke into an aisle, a junction point for camera/photos to my right, the back of the store behind me, and candy to my left. Several people joined the line behind me. 

We were now a human snake. Movement was beyond slow. My thoughts rippled over recent news of  Walgreens profits (up, record sales, and yet it felt like Walgreens, the store I was in, was down), the recession and the likelihood that store staffing had been cut to a minimum. It was just after lunchtime.

A man came out of the next aisle with candy just as a group of women with an enormous baby buggy pushed in the door from outside. There was a young woman with a baby in her arms, another pushing the buggy with another child, another young woman and an older woman, maybe in her 40s, very short who spoke very quietly. The women confronted the man, stopping him in his tracks with the buggy. 

The teen with now sleeping baby in her arms showed her to him, saying something like: “She’s my baby.” Their voices accusatory and firm:  how could you say things like that? As though the words that had been said on the 29 northbound bus had cut the baby. They were clearly wounded, angry yet puzzled. Why were these words thrown at this baby? The man said: “It wasn’t me. I didn’t say nothing.” The boldest, the teen with the baby, asked: “Was it the guy in the tan hat?” He said, “I don’t know who it was, it wasn’t me.”

The women suddenly backed up the baby carriage and, murmuring to each other, left the store. A voice arose from the end of the line: “People today need to get their priorities right.” They got off the bus to pursue an argument? Heads turned back to see who was speaking. 

“It’s just like my preacher said on Sunday,” she said, adding  something about “people are just too sensitive today, you can’t look at them without starting something” and she threw in the recession for good measure. The tenor of talk turned to stress (the stress will only hurt you, was my weak offering) to not sweating the small stuff, from a woman who had a copy of the book in her bag. Heads nodded in agreement.

Then suddenly there was the man in the tan hat, bags of candy in hand, looking for the end of the line. The man said he’d gone to Jewel for candy but the prices were too high. So he’d come to Walgreens, just in time for the tail wind / the wrap up of this community’s opinions on what they thought they’d seen. “You just missed them,” the first man said. “What, they came here?”  Tan hat man, a handsome young guy, said with disbelief. “Oh man.”

“We heard all about it!” I said with a smile.

So he started explaining how the baby had started crying and the bus was crowded when some man said something about needing to give the baby a bottle, didn’t no one know how to take care of babies anymore, and then something got said about babies raising babies and choices made. Maybe it was one mouthy man; maybe one man became a whole chorus of pejorative voices. The words were ugly and cutting.

I thought how hurt the women must have felt, and now I was proud of them, they weren’t taking it. They were standing up for themselves. Suddenly the line had moved and it was my turn to register my purchase. If there was more to the story I missed it. But I thought about how we each had come up with a story to explain what we thought had happened. 

Words among strangers on a bus had led to an anger so huge that it had propelled people off the bus to settle a score. They had pursued two men into a store! A busy store! The first man had spread his arms out in a gesture of innocence and said it wasn’t him. The women’s voices dropped. Maybe they noticed the line of women watching them. They seemed to accept the man’s assertion that he hadn’t said the Cutting Words.

But the witnesses could see where this could have gone, too often goes. I could see that this sort of thing played out too often in the lives of those young mothers. The women were too vulnerable to the words. If this is happening on a bus among strangers, imagine what’s being said in their churches, their neighborhoods and among their cohort? And these strangers, men and women, were didn’t mind speaking out to other strangers about their choices and behaviors, and they didn’t mind passing judgment.

I’ve seen emotional eruptions on the bus too. In fact it was a 29 bus southbound out of the Loop on a midafternoon in late summer. A woman sitting in the rear of the bus didn’t like a profanity that came out of another passenger’s mouth, so she took it to the bus driver who stopped the bus, walked all the way to the back to tell the other woman to refrain from using that word. But then he added that he’d put her off the bus if she didn’t. That took the temperature over the top. The profane woman had more to say. People around her weighed in, very loudly. It seemed kind of amusing, yet not.

The too-sensitive-to-hear person was willing to ratchet up after the fact until another woman, enormously obese with a voice to match, began to harangue even more loudly about the Right Not to Hear Words Like That. The bus moved on, the other voices didn’t contest the haranguing voice. 

In my corner of the bus, the man next to me and the woman in front of him and I agreed that people needed to lighten up. “You think of the people in New York City being like this,” said I, “but I was in New York recently and the New Yorkers struck me as a lot mellower than the people you meet on the streets and buses of Chicago.” 

And then we began to talk. He was a musician in town for the jazz fest and hoping to sit in. I was just going home after attending the opening session of the fest. A friendly bridge of words formed between us.

30 October 2011

Thursday, April 29, 2010

Not toast yet

Pop goes the weasel

We frame our lives with routine – the bracing first cup of tea in the morning, the hot shower, the voice of my favorite DJ, the same seat on the train to the office, the glass of wine at the end of the day – the better to soothe ourselves from the bumps and abrasions of everyday life. Life feels predictable.

But it's a lot sketchier than that.

On one ordinary day a piece of my heart broke. A replacement valve on the left side of the heart just popped right out of place. It's been bumping around in the roiling torrent of blood spewing from the left atrium sometimes quite painfully.

My first clue that something was amiss, aside from a nasty bit of crushing pain while doing my left lifts, was an odd rhythmic pulsing sound. It seemed like a squeak. I thought the neighbors must have a new electronic gizmo. But then I realized I heard it in the bath room, the bedroom and the living room. Then I realized it was coming from me. I listened for my pulse over the lower left part of my rib cage and felt a whooshing instead of a bup-bup-bup of a heart beating.

I listened to this strange sound emanating from my body for several days as it grew louder, sometimes even downright vociferous. Denial sapped the paralyzing effects of fear. After four days I finally made the call that sent me slipping and sliding out of time and place. I entered the time zone of modern medicine.

'Take it easy'

Three weeks have passed, five days of hospital observation and a cardiac cath, plus 10 days of pre-op prep. Three weeks since this "urgent but not emergent" issue emerged. Ten days of knowing where the mitral valve is and it's not in its proper passage. At some point, probably around Memorial Day, the valve just popped right out of its spot in the left atrium. There have been days of uncomfortable pain, fatigue, short of breath and increasing fragility. And there have been days when I felt fine and walked 4.5 miles. (I paid for that.) My hard-won muscle tone evaporates. Some of the pain could be from the rigid valve bouncing around in the roiling movement of blood spewing full out of the high pressure atrium into the ventricle. I am deeply weary. Every movement takes energy and planning. The pulsating sound has become more urgent sounding. I wonder about the ragged edge on the distorted atrium where the valve once sat, now distorted into a funny ha-ha contorting tube shape. What if the tissue can't hold or support a new valve? I think of my attempt to mend a hole in a pair of pants, a rough-hewn patch of embroidery. This surgeon's got to be a finer sewer than I. Will it hold?